The Marriage of Figaro continues the plot of The Barber of Seville (which centers around Count Almaviva’s pursuit of Rosina) several years later, and recounts a single “day of madness” (la folle journée) in the palace of Count Almaviva. Rosina is now the countess. Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself, and Count Almaviva has degenerated from the romantic youth of Barber, into a scheming, bullying, skirt-chasing baritone. Having gratefully given Figaro a job as head of his servant-staff, he is now persistently trying to exercise his feudal right to bed a servant girl on her wedding night (which he had prior relinquished in his courtship with the Countess) – with Figaro’s bride-to-be, Susanna, who is the countess’s maid. He keeps finding excuses to delay the civil part of the wedding of his two servants, which is arranged for this very day. Figaro, Susanna, and the countess conspire to embarrass the count and expose his scheming. He retaliates by trying to compel Figaro legally to marry a woman old enough to be his mother, but it turns out at the last minute that she really is his mother. Through the clever manipulations of Susanna and the countess and several hijkinks along the way, Figaro and Susanna are finally able to marry.
This is the second of two show. The first show is at 7:30 p.m. on 4/11.
Tickets
ONLINE at bsu.tix.com
Phone: 765-285-8749
In person
The Marriage of Figaro continues the plot of The Barber of Seville (which centers around Count Almaviva’s pursuit of Rosina) several years later, and recounts a single “day of madness” (la folle journée) in the palace of Count Almaviva. Rosina is now the countess. Dr. Bartolo is seeking revenge against Figaro for thwarting his plans to marry Rosina himself, and Count Almaviva has degenerated from the romantic youth of Barber, into a scheming, bullying, skirt-chasing baritone. Having gratefully given Figaro a job as head of his servant-staff, he is now persistently trying to exercise his feudal right to bed a servant girl on her wedding night (which he had prior relinquished in his courtship with the Countess) – with Figaro’s bride-to-be, Susanna, who is the countess’s maid. He keeps finding excuses to delay the civil part of the wedding of his two servants, which is arranged for this very day. Figaro, Susanna, and the countess conspire to embarrass the count and expose his scheming. He retaliates by trying to compel Figaro legally to marry a woman old enough to be his mother, but it turns out at the last minute that she really is his mother. Through the clever manipulations of Susanna and the countess and several hijkinks along the way, Figaro and Susanna are finally able to marry.
This is the first of two performances. The second performance is at 3:00 p.m. on Sunday, April 12.
Ticket purchase options:
ONLINE at bsu.tix.com
Phone: 765-285-8749
In person
Directed by Veronica Santoyo
Original Dramaturgy by Diana Grisanti
February 6-8, 13-14 at 7:30 p.m. | February 14 at 2:30 p.m. | Oakwood 154
It’s the day of The Big Game, and the citizenry is aflutter. The football bros are hungry for blood, the ESL kids are hungry for knowledge, and the hunger strikers are just hungry. Meanwhile, Nubu, a newcomer to our world, considers the meaning of life. When the The Big Game gets cancelled, a group of intrepid weirdos decides to throw an epic DIY costume party—a ball! Balls Balls Balls is a strange and exuberant new work that asks, “Can you imagine a world where we all make bread and break bread together?”
Written by award-winning playwright Alice Tuan, Balls Balls Balls was commissioned by the Ball State Department of Theatre and Dance. We’ll present the script as an on-book reading with choreography. No play is complete without an audience, so we invite you—yes, you!—to participate in the developmental process. Each performance will be followed by a talkback with the playwright and production team. Come take part in the future of American theatre!
Commissioned by the Department of Theatre and Dance of Ball State University
Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.
Directed by Veronica Santoyo
Original Dramaturgy by Diana Grisanti
February 6-8, 13-14 at 7:30 p.m. | February 14 at 2:30 p.m. | Oakwood 154
It’s the day of The Big Game, and the citizenry is aflutter. The football bros are hungry for blood, the ESL kids are hungry for knowledge, and the hunger strikers are just hungry. Meanwhile, Nubu, a newcomer to our world, considers the meaning of life. When the The Big Game gets cancelled, a group of intrepid weirdos decides to throw an epic DIY costume party—a ball! Balls Balls Balls is a strange and exuberant new work that asks, “Can you imagine a world where we all make bread and break bread together?”
Written by award-winning playwright Alice Tuan, Balls Balls Balls was commissioned by the Ball State Department of Theatre and Dance. We’ll present the script as an on-book reading with choreography. No play is complete without an audience, so we invite you—yes, you!—to participate in the developmental process. Each performance will be followed by a talkback with the playwright and production team. Come take part in the future of American theatre!
Commissioned by the Department of Theatre and Dance of Ball State University
Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.
Directed by Veronica Santoyo
Original Dramaturgy by Diana Grisanti
February 6-8, 13-14 at 7:30 p.m. | February 14 at 2:30 p.m. | Oakwood 154
It’s the day of The Big Game, and the citizenry is aflutter. The football bros are hungry for blood, the ESL kids are hungry for knowledge, and the hunger strikers are just hungry. Meanwhile, Nubu, a newcomer to our world, considers the meaning of life. When the The Big Game gets cancelled, a group of intrepid weirdos decides to throw an epic DIY costume party—a ball! Balls Balls Balls is a strange and exuberant new work that asks, “Can you imagine a world where we all make bread and break bread together?”
Written by award-winning playwright Alice Tuan, Balls Balls Balls was commissioned by the Ball State Department of Theatre and Dance. We’ll present the script as an on-book reading with choreography. No play is complete without an audience, so we invite you—yes, you!—to participate in the developmental process. Each performance will be followed by a talkback with the playwright and production team. Come take part in the future of American theatre!
Commissioned by the Department of Theatre and Dance of Ball State University
Tickets are available through the College of Fine Arts Box Office located at Sursa Hall in person, by phone at 765-285-8749, or online.
This Lux Radio Theatre adaptation of It’s a Wonderful Life is a heartwarming radio drama based on Frank Capra’s classic story. Condensed into about an hour, the production features rich narration, live sound effects, and expressive performances to tell the story of George Bailey—a man who, feeling overwhelmed by life’s burdens, is shown by his guardian angel how profoundly he has touched the lives of others. The radio play beautifully conveys themes of hope, community, and the power of one individual to make a difference—offering an intimate, nostalgic experience that feels both uplifting and deeply human through the magic of radio.
Tickets are sold through the College of Fine Arts Box Office located at Sursa Hall, online at bsu.tix.com, or by phone at 765-285-8749.
